Acrylic barriers & backlit lightboxes were instrumental in the pandemic stage design for a streamed opera production at The Royal Conservatory of Music.
How To Mix Earth Tone Paint Colors
Scenic Artist & Rosco Ambassador Tessa Broyles describes how to mix earth tone paint colors using the Off Broadway Scenic Paints found inside our Rosco Scenic Sets.
How A Rosco SoftDrop® Became An Integral Piece Of The Jingle Jangle Set
Production Designer Gavin Bocquet worked with Rosco to create a highly-customized Rosco SoftDrop for his Jingle Jangle set design.
Night Of A Million Lights – A Holiday Light Display That Helps Future Wishes Come True
Give Kids The World Village used several different Rosco solutions to enhance areas of their Night Of A Million Lights holiday light display & fundraiser.
How Unbox Therapy Uses The Ceiling As Their Sole Source Of Studio Lighting
RoscoLED Tape was used to create an illuminated ceiling for Unbox Therapy’s new YouTube studio, and that ceiling light is all they need to illuminate their product reviews.
Illuminating The Truth With Adaptable Exhibit Lighting Solutions From Rosco
Rosco Cube LED fixtures provide the Stapferhaus museum with exhibit lighting solutions and “unlimited possibilities” when it comes to illuminating their exhibitions.
Color Theory Practice With Rosco Scenic Sets
Scenic Artist & Rosco Ambassador Tessa Broyles uses our Scenic Set paint kits to explain basic color theory and how those principles can impact paint mixing.
Three Devilishly Good Photography Tips For Shooting Halloween Portraits
Photographer Eva Creel used filters out of her Rosco Digital After Dark Flash Pack to add otherworldly color effects into her Halloween portraits.
Christie’s Captures The Magic Of Having A Dinosaur In The Building With Rosco Braq Cubes®
Christie’s Auction House used Rosco Braq Cubes to create dramatic lighting effects for Stan – one of the largest T-rex skeletons ever found.
Creating The Gangster Film Look
With Rosco Ambassador Graham Sheldon
Cinematographer – and Rosco Ambassador – Graham Sheldon describes how he used an SL1 MIX light and a V-Hazer to create the “gangster film” look for a project.