When Lighting Designer Matthew Grenier helped his old high school upgrade to LEDs, he struggled with coverage issues. Rosco’s OPTI-SCULPT Filters enabled him to shape the beams to fit the space.
Scenic and Lighting Designer Paul Yeates created a “UV-blueprint” scenic effect using a combination of Rosco UV scenic paint and Rosco UV LED fixtures.
Stephen Arment, a High School Drama Teacher in Florida, shares his thoughts and feelings about the power of light and color in theatre after installing a fresh set of gels in his lights.
Cinematographer Eduardo Ramirez-Gonzalez has used Rosco Colors throughout his career, but he created those same gel colors (plus a few of his own!) using our MIX LED technology for The Bonfyre’s “Automatic” music video.
The designers renovating the fiber optic ceiling inside Procter & Gamble Hall had a hard time locating an LED illuminator that fit all of their requirements – until they discovered the Rosco Pica Cube 4C.
Filmmakers used two stylized Manhattan skyline Rosco SoftDrops to create a “Rom-Com-Fantasy” version of New York City in the romantic comedy “Isn’t It Romantic.”
When designers needed to illuminate the displays in the low-ceilinged cellar for Emmentaler show dairy, they knew that Rosco Miro and Pica Cubes were their only lighting solution.
Drawing on her years of experience as Resident Scenic Artist at Tobins Lake Studios, Jamie Clausius discusses the similarities and differences of our Supersaturated and Off Broadway Scenic Paint.
A tribute to Eric Tishman who has retired after 31 years of consistent success at Rosco.
Lighting Designer Paulina Villalobos chose Rosco’s gobo projection solutions to re-create characters from Kandinsky’s “Blue Sky” in the plaza outside the Artequin Museum in Santiago de Chile.