Image 1: colors are R26, R80, R22, R358 and R339. These deeply saturated colors give the power and punch I need, and actors just pop out of the colour when lifted with open white or R51.

Image 2: R11, R57 and R370, R357, and R68: I needed a palliative care clinic that could be quite dramatic and offsetting but also deeply compelling. I looked at a lot of clinics before choosing these.

Image 3 is really simple: just R22 in the background and R64 top lighting for the principals, with a tiny hint of 51 from FOH. I loved the contrast and action!

Scenic Artist Brigitte Bechtel devised an excellent technique for transforming carpet into realistic fake dirt that tours well and installs on stage quickly and easily.

Muralists at Fresco Exchange discovered the benefits of our Off Broadway Scenic Paints, including their matte finish & vibrant colors, then put them to work painting murals across the U.S.

Visual Artist Liz West used several of our DMG Lumière SL1 MIX LED fixtures to immerse visitors in her large-scale, immersive light art installation – Live Colour.

As a part of the Westminster Bridge Regeneration Project, Michael Grubb Studio specified several Image Spot fixtures with Rosco Custom B&W Glass Gobos to enhance one of the busiest roads in London.

Scenic and Lighting Designer Paul Yeates created a “UV-blueprint” scenic effect using a combination of Rosco UV scenic paint and Rosco UV LED fixtures.

Donor Alliance and LD Heather Smith installed Rosco Image Spots and Custom Glass Gobos at several hospitals throughout Colorado & Wyoming to raise awareness for organ and tissue donation.

When originally approached with the challenge of lighting Radium Girls, I knew I would have to separate the same areas of the stage into multiple different locations - using colour and texture to differentiate. I quickly settled upon a 3-part frontlight system - R3204 straight fronts, R60 HL Box Fills, and R333 HR Box Fills, which allowed me to pick a cool colour, warm colour, or mix to lavender with the three depending on the scene.

When originally approached with the challenge of lighting Radium Girls, I knew I would have to separate the same areas of the stage into multiple different locations - using colour and texture to differentiate. I quickly settled upon a 3-part frontlight system - R3204 straight fronts, R60 HL Box Fills, and R333 HR Box Fills, which allowed me to pick a cool colour, warm colour, or mix to lavender with the three depending on the scene.

When designers needed to illuminate the displays in the low-ceilinged cellar for Emmentaler show dairy, they knew that Rosco Miro and Pica Cubes were their only lighting solution.