My venue is a roadhouse for intimate musical acts and many times we are left to design the lighting and scenic elements for the performance. Our soft goods are navy blue, so I chose R80 to saturate the drape color and I chose R02 and R18 as front light and down light to add contrast for the background and to "warm up" the wood textures of the scenic elements. As an added layering effect, I projected Rosco ColorWaves Ripple-Red on the scene.
Lighting & Scenic Design - Todd Birdsong

Production of Romeo and Juliet. Directed by: Mindy Clarke. Set by: Sean Powers. Lighting Design by: Austin Powers. Photography by: Jeff Locke. Boca Raton Community High School, Thespian Troupe #2564. Winner, Best Lighting Design, 2011 South Florida Cappie Awards

Guilford High School Theatre Department "On the Verge or the Geography of Yearning" Lighting Designer: Alyssa Eilbott, Director: Cara Mulqueen Rosco Colors Used: R54, R57, R3208, R02

Charlotte Catholic High School's production of the Brothers Grimm Spectactuathon. Lighting Designer: Dylan Shay. Rosco colors used: E088 E029 E166 E101 E117

Lord of the Flies
Wakefield Theatre Company

Photo taken by Zam Photography

Used: R325

Near West Theatre "Rent: Student Edition" R54

Pippin with Geneseo Community Players
Rosco 385, 358, 19, 57 and 318

Finale when Pippin becomes one with the flame.

Photo 1) One of the battle scenes in Animal Farm. I believe that's all R19.

Photo 2) Working: The Musical at A Magical Journey Thru Stages. Lots of R51!

Photo 3) Heidi at A Magical Journey Thru Stages. Plenty of Medium BA (R04)

#27 Medium Red, #80 Primary Blue, #91 Primary Green, #120 Red Diffusion, #121 Blue Diffusion, #122 Green Diffusion, #124 Red Cyc Silk, #125 Blue Cyc Silk, #126 Green Cyc Silk, #02 Bastard Amber, #51 Surprise Pink.
Production Credits:
Les Miserables by Felix Varela Senior High School Thespian Troupe
Directed by Ozzie Quintana
Technical Direction by Rey Bode
Lighting Design by Kelbi-Caitlin Carrig

The play is "Ajax in Iraq". In this scene a soldier replays a nightmare of killing a flock of sheep. I choose R90 to give the audience the same experience as the soldier looking through his night vision goggles. Clean and simple, it was a very effective moment.
Ajax in Iraq, NY, NY 2011
Flux Theatre Ensemble
Author: Ellen McLaughlin
Director: August Schulenburg
Costumes: Lara de Bruijn
Lighting: Kia Rogers
Sets: Will Lowry
Photographs by Isaiah Tanenbaum