R16 - Light Amber, R71 - Sea Blue, R14 - Medium Straw

I needed an amber that complimented my blue top-light well, and would mix well with a straw for a cue where a character opens a set of blinds, casting sunlight on the stage. I also wanted a blue that not only went well with that, but I could wash the entire stage in for an early morning scene, including washing the cyc to really sell that brisk, chilly mood of dawn.

On Febuary 1, 2012 we held our Hunk & Beauty Pagent hosted by our Student Council. Our theme for this event was Cultures Around the World.

Lighting was designed by Jasmine Chavez. Technical Advisor was Nicolas Castanon.

R69, provides some creepy uplight in Revision Theater's production of Little Shop of Horrors
Lighting: Dan Jobbins
Scenery: Clifton Chadick
Costumes: Sarah Mairiono

My final work at university was a production of Caryl Churchill's A Mouthful of Birds.

The climax of the first half of the play is a scene called 'Extreme Happiness' where the characters are overcome with ecstasy and (in our production) the whole building vibrates with the feeling, heading towards collapse. I used R02, R38, R40 and R377 to convey a sense of excitement and excess, of a loss of control and a departure from reality.

These photos are from the musical "Violet" done by OnStage Productions at The HIgh School For The Performing And Visual Arts in Houston texas. Lighting Design by John Cameron Carter, Set designer Tucker Irey. THe focus of this show was not a color but a diffusion, R116. This diffusion gel was a main focus in my cross specials and Barn door specials seen in the photos below. Colors also shown below are R2 - bastard amber warm R85 -cool R2009 - down. Also used is R99 for highlight of al the woodwork done by the set designer.

Oklahoma City University's production of A Streetcar Named Desire (2010) Lighting Design by JeremyAllenFisher Assistant Lighting Designer Taylor Starr Knight This show was build around the color R3420 I choose this color for its deep saturation and light transmission. It represented evening sunlight. It was used as side light and front angled blasts. Its main counter part was R26&R64. I combined these two colors to create a bold pinkish red that I could not find in any gel book. It was used as side light and front angled blasts.

Showstoppers cast R339, R44, R80, R68, R58, R22, R21 The color used for this show helped to create a larger stage than was actually there. Some Rosco gobos used here as well. Broadway Pink is a gorgeous color. Kenneth Blake did the lighting design Jake Dault LD.

The production team chose to create a dream-space-meets-reality vibe for the play by working with a base pallette of cool colors. From there, the introduction of contrast would more clearly define new, and possibly real, spaces that could easily disappear.

2011-12 Princeton Triangle Show
Lighting Design: Alex Mannix and Alex Kasdin
ALD: Eric Falcon

R54, R119, R80, R89, R18, R26, R83, R27, R90

Noises off
Director: Nick Ciavarella
Lighting Designer: Manuel Da Silva
Technical Director: Gabriella Padgent

R-80
R-51
R-98
R-27
R-60
R-34