"Between Sand and Stars" is a collaborative piece developed by Sandglass Theater of Vermont, Gemini Trapeze (a pair of aerialists who hailed from Cirque du Soleil), and Rob Mermin of Vermont's Circus Smirkus. It is adapted from the work of "Little Prince" author Antoine de Saint-Exupéry. Eric Bass and Ines Zeller Bass, founders of Sandglass Theater, received Vermont's 2010 'Governor's Award of Excellence'.

For an acclaimed production of Brazilian playwright Nelson Rodrigues' THE ASPHALT KISS, lighting designer Traci Klainer conjured a distinctively noirish vision of Rio de Janeiro in a black box space at 59E59 Theater in New York.

We looked at stills pictures of the original 1975 production and decided immediately not to go in that direction. In 1975 they had used very simple elements to change the space , such as a piece of silk to create the 'Road', We wanted our production to capture the visual perspective of today’s computer and I-Pod generation. The junkyard where the Tin Man is discovered had a broken Starbucks sign in it, for example.

The Brooklyn (NY) Museum held a gala in honor of the opening of its Murakami exhibit. It was quite an event, some 1500 people in attendance and Kanye West performing. The balloons you see are Murakami's art balloons.

'The Lives of Giants' is the Cambodian version of an ancient Sanskrit epic. It tells the story of a giant in the heavenly realm who, abused by his contemporaries, resorts to violence and brings disarray to the world. In choreographer Sophiline Cheam Shapiro's dance piece, it becomes a vehicle to lament the triumph of violence over compassion. My scenic design for the production which toured the US placed the heavens in the depths of an otherworldly lily pond - in silhouette upstage and graphically downstage. The costumes were vivid colors, accented in gold.

all included are pictures of various musicals and dance shows at Howard W. Blake High School in Tampa Florida. lighting LD mike Wood, Director seth travaglino

R50,R54,R83,R18,R09,R17,R23,R89,R15,R95,R77,R339

Scenic Design: Laura Baker and Ben Soldate
Lighting Design: Daniel Higginbotham
Costume Design: Jack Smith
Director: Laura Baker

Just So Stories at
Honolulu Theatre for Youth
Honolulu, Hawaii

Scenic Design by H. Bart McGeehon
Lighting Design by H. Bart McGeehon

Shadow play using actors bodies to create animals
Rosco 22 for warm Desert
Rosco 80 for Cool Mirage in Desert

Eurydice, directed by Mark Cirnigliaro for the Jameson Theater Company.
An experimental theater company that only has 24 dimmers.
It's a challenge.
Eurydice, a play by Sarah Ruhl, was also a challenge especially given the limitations of the space.

It involves the underworld, which had some freaky "stones" as characters, back lit with R39, and the underworld was pretty much created using only R66, and R39. Teal is scary.

Other colors were: r08, r33, r51, and r19 which we ended up nicknaming "Fuckin' red!".

Eurydice, directed by Mark Cirnigliaro for the Jameson Theater Company.
An experimental theater company that only has 24 dimmers.
It's a challenge.
Eurydice, a play by Sarah Ruhl, was also a challenge especially given the limitations of the space.

It involves the underworld, which had some freaky "stones" as characters, back lit with R39, and the underworld was pretty much created using only R66, and R39. Teal is scary.

Other colors were: r08, r33, r51, and r19 which we ended up nicknaming "Fuckin' red!".