Wash - R384 - Midnight Blue
Window - R19 - Fire
R20 - Medium Amber
R53 - Pale Lavender
+ Other scraps/recycled pieces of previously used colour correction (R3208)

Production - Sister Act 2 - Back in the Habit @ Great Barr School, Birmingham, UK 4-6 July 2012.
Lighting Designer - Chris Walker

Rough Magic by Roberto Aguirre-Sacasa, presented through special arrangement with Dramatists Play Service, Inc. New York, NY. Photographs by John Johnson. Lighting and Projections Designer Patrick Angle.

Photo 1: R27 provides a rich and deep purple red that conveys the fear of the girl without appearing harsh on the skin.

Production: Zanna, Don't

In the Vancouver International Fringe Festival

Colours Used: R 68 and R 49 sides

Lighting Design: Noah Feaver

Intimate Apparel by Lynn Nottage
Coastal Carolina Department of Theatre
Directed by - Gwendolyn Schwinkle
Lighting Designer - Stephen Toney

Rosco Gels Used
R20
R337
R119
R23
R318
R56
R353
R45

Godspell
Lighting by:Carly Shick and Elizabeth Huntzicker
R19 and R357

R02, R04, R05, R26, R39, R33, R55, R59, R80, R83, R60, R65, R09, R43

Born Blue: A New Musical
The Cutting Room
New York, New York

Written by: Caren Tackett
Lighting Design: Mike Wood
Directed by: Anthony Rapp

R02, R04, R26, R39, R339, R34, R55, R59, R80, R83, R60, R65, R09

Legally Blonde: The Musical
The Manatee Players
Bradenton, FL

Lighting Design: Mike Wood
Scenic Design: Mary Houston
Directed by: Dewayne Barrett

Colors Used: R51, R60, R21, R44, R59, R23, R388, R124, R125, R126

7th Annual Broadway Musical Revue, September 2012
Bothell High School Drama
Produced by Michell Maas

This is a scene from “Lady From The Sea”. Supergel 74, Night Blue, is one of my favourite "go to" colours and somehow ends up finding it's way into most of my projects.

This is a show that I recall very fondly.