Urinetown at the Generic Theatre. Directed by Brendan Hoyle, Lighting Design by B Butterbaugh, Scenic Design by Shane K. Stelly, Costume Design by Ryan Ward, photos taken by Jenn Watson. R15, R60, R70, R83, and R95

R82 used to create a cold, night time mood. Used for graveyard scene.

Production: Sleepy Hollow | a musical ghost story

Director: Scott Keys
Lighting Designer: Nick Jones
ALD/Programmers: Carlyle Styer & Hinter Jones
Technical Director: Ken Wiegers

R82 used to create a cold, night time mood. Used for graveyard scene.

Production: Sleepy Hollow | a musical ghost story

Director: Scott Keys
Lighting Designer: Nick Jones
ALD/Programmers: Carlyle Styer & Hinter Jones
Technical Director: Ken Wiegers

November 2012 run of "The Skin of Our Teeth" by Thorton Wilder at Lake Forest High School. Directed by Barbara Papp, set design by Allegra Levin, lighting direction by Alex Zylka, sound direction by Jonathan Flusser.

Arts and Communication Magnet Academy's production of Great Expectations (based off of the book by Charles Dickens)
Directed By David Sikking
Lighting Design by Carly Shick
R20 Medium Amber used to create the older dreary lighting effect for the period and indoors depending on the intensity
R62 to give some lighter outdoor feeling that wasn't overly saturated

#83 Medium blue
#23 Orange
#50 Mauve
#21 Golden Ambar
#60 No color Blue
Compañia Estatal de Danza Contemporanea Nucleodanza.
Coreografia: Fransisaco Torres
Dirección Artistica Guadalupe Orellana
Equipo de Divulgacion del Centro de las Artes San Luis Potosí Centenario

Seussical, the Musical
Stafford High School Fine Arts Department
Michael D'Addario, Lighting and Scenic Design
Key light: Rosco 05 and 62
Side light: Rosco 44 and 73
Down light: Rosco 47
Cyc light: Rosco 26, 80 and 4490

Seussical, the Musical
Stafford High School Fine Arts Department
Michael D'Addario, Lighting and Scenic Design
Key light: Rosco 05 and 62
Side light: Rosco 44 and 73
Down light: Rosco 47
Cyc light: Rosco 26, 80 and 4490

2012 Studio 4 Dance Theater’s production of The Nutcracker at the Bret Harte Theater in Angels Camp, California.
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Roscolux gels used include: R362 Tipton Blue (front and top), R09 Pale Amber Gold (front and top), R99 Chocolate (sidelight), R71 Sea Blue (sidelight), R26 Light Red (wash), R382 Congo Blue (wash). Drops and Cyc are lit with R124, R125 & R127 Cyc Silks.
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Artistic Director: Tammie Lee, Theater Director: Dave Duggan, Lighting Design: Dave Duggan & Tammie Lee.
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Photos by Janis Elliott.

The design approach for ‘In the Red and Brown Water’ was to focus on telling the story of these young tortured lives in a way that concealed their daily pain, while showing the reality of an everyday world. The show is set in a decrepit southern project where the heat of the day smoothers the souls of every one it touches. The set was designed in a way that allowed for the lighting to be able to tone and manipulate it in various ways all while being able to carve the characters out from the neutral setting.