Performers are playing in silhouette with the orange/yellow background to convey a sense of the sun setting. The overhead was provided by having not only the color but Opal and Grid Cloth.
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Performers are playing in silhouette with the orange/yellow background to convey a sense of the sun setting. The overhead was provided by having not only the color but Opal and Grid Cloth.
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The dancer is struggling with the ideas of existence.
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Sacramento Jingle Ball, Favorite color to use is always R80.
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This is from the original production Madness and Lust,based on the book Wutheringg Heights. This is during Catherine and Edgar's wedding as seen by Heathcliff.
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The stage for our production of No Exit. It's hard to see the orange because of the bad quality camera but in person it looks really cool and hell-like
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Various photos from my second fully realized lighting design.
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Photos from the MPAC production of Jesus Christ Superstar
Scenic Design: Bill Booth
Lighting Design: Mike Wood
Costume Design: Becky Evans
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These are production photos from You're a Good Man Charlie Brown. The first one is during the song "Happiness" when Charlie Brown truly begins to understand what happiness means. "Happiness is anyone and anything at all, that's loved by you."
The second photo is the top of the show when all the characters explain what the individually think of Charlie Brown.
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An excerpt from the Pillowman, where the parents make their daughter carry the cross around the living room until her legs buckled.
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The pictures represent Miniland USA, a small part of the overall lighting work done for the 2014 Brick-or-Treat Party Nights at Legoland California Resort. This includes the mainstage which hosted live music and costume competitions, Hubble Bubble's Dance Party, spooking Lord Vampyre, and one of the Brick-or-Treat Trails. Because of limited park lighting, our department is tasked with providing themed lighting to much of the rest of the 130 acre park, hotel, and attached aquarium.
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