An adaptation heavy in color that question the objectification of women and men.

Both are pictures of a scene from a production of the musical the phantom toll booth

Final dress rehearsal photos from a high school production of Les Mis.

A dance break while the "poor" kill off the upper class citizens. In Urinetown: The Musical.

This is a production of Twelfth Night I designed my senior year of college.

Equus was in a very small space, that is not used as a theater normally. It was a challenging design. I showed the difference of the world of the hospital and the memories by using too different colors.

In this scene, Dr. John F. Condon (played by Bernard Goodman) is discussing the terms of a ransom with the Kidnapper (played by Ben Muller) in a graveyard.

As a dip and drape prop creation project, I re-used a Rosco super saturated paint can and created a still action of paint exploding upwards and outwards of the can.
For the particular colour, I've used Rosco tough prime which helps maintain the durability needed when dealing with a pig poo mixture and then sealed it using Rosco clear high gloss colour coat.

These are the openings to act I and II to the play Is He Dead? The less saturated colored picture with the blue walls is the general lighting for act II.

This is the light with a stain glass window gobo that I used to portray and highlight the medieval aspects of a show called "The Mouse that Roared". I used the gels of R33, R321, and R47 frankensteined together to create a sunrise/set affect that would filter through a "window" in a castle.