These are pics of a recent production of Man of La Mancha. All stage coloring was from Roscolux.Roscolux #384: Midnight Blue for down lighting.Roscolux #60: No Color Blue and Roscolux #33: No Color Pink for blend wash. Roscolux #120: Red Diffusion for abduction of Dulcenia with special in ctr. Roscolux #41: Salmon with diffusion is in the fire torches with a 9 step flicker effect.

1) Oversize canvas drop, stretched on the floor, Supersaturated washes were used to paint backdrop for exhibit for The Great Blacks in Wax Museum in Baltimore, MD
2) Supersaturated washes on primed wall surface used for mural of Morocco for Taste of Morocco Restaurant in Silver Spring, MD

More work can be found at: www.snopestudios.com
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These are examples of oversized fruit I created for the boutique candy store "It'Sugar", while working for V.D.A. in Somerville, MA. They were installed in the Atlantic City location, and hang on the Sugar Tree, where the gummy candies are displayed. The peach is approximately 22" tall, the strawberry and grapefruit segment are each about 16" tall.

1) In this production of Seussical, the Musical at West Springfield High School, many Rosco products were used. The backdrop shown used Rosco Off-Broadway Sky Blue, Pthalo Green, Emerald Green, Purple, Magenta, Orange, and Ultramarine Blue. It also used Super Saturated Fire Red and Emerald Green. Rosco Flexbond was used in the trees seen in front of the backdrop. The trees were made with muslin, white glue, white paint, chicken wire, Rosco Off-Broadway Magenta, Fire Red, Orange, and Flexbond.

The lighting for All My Sons at Sierra Repertory Theatre was intentionally subtle to keep it realistic. We used a mix of blue and pink fronts to follow the story emotionally and utilized the R3220 as a high back moonlight. The cast included: Alyson Lindsay, Breton Nicholson, Corbin Kerr, Jessica Powell, John Combs, Michael Hampton, Michael Ludlum, Nick Ferrucci, Olga O'Farrell, Stephanie Tucker, the scenic designer was Deborah Malcolm and the costume designer was Kristine Doiel. Photographs by Rich Miller.

The lighting for All My Sons at Sierra Repertory Theatre was intentionally subtle to keep it realistic. We used a mix of blue and pink fronts to follow the story emotionally and utilized the R3220 as a high back moonlight. The cast included: Alyson Lindsay, Breton Nicholson, Corbin Kerr, Jessica Powell, John Combs, Michael Hampton, Michael Ludlum, Nick Ferrucci, Olga O'Farrell, Stephanie Tucker, the scenic designer was Deborah Malcolm and the costume designer was Kristine Doiel. Photographs by Rich Miller.

The lighting for All My Sons at Sierra Repertory Theatre was intentionally subtle to keep it realistic. We used a mix of blue and pink fronts to follow the story emotionally and utilized the R3220 as a high back moonlight. The cast included: Alyson Lindsay, Breton Nicholson, Corbin Kerr, Jessica Powell, John Combs, Michael Hampton, Michael Ludlum, Nick Ferrucci, Olga O'Farrell, Stephanie Tucker, the scenic designer was Deborah Malcolm and the costume designer was Kristine Doiel. Photographs by Rich Miller.

As building development encroached on this NY church, the natural sunlight was blocked from the beautiful Tiffany windows. The depth between the window and the adjacent wall was not sufficient to evenly diffuse the fluorescent tubes or cover the entire window. LitePads are a perfect solution to backlight the entire window and maintain even light coverage without lamp "hotspotting".