Rosco Off-Broadway paints were used to create this "city" drop based on the Brooklyn Bridge by Set Designer Brian Lehman and the Hempfield High School Stage Crew for our March 2012 production of "Thoroughly Modern Millie" It was painted, cut out, then scenic netting was glued in place to fill the voids.

This partially built mastodon skeleton was for a world premiere production of a play called "Etherdome". I first carved the leg bones, skull, and vertabrae separately out of a foam and then applied them to a steel and wooden structure. (The ribs were cast from another material.) I then coated them with two coats of Rosco's Foamcoat (with the first being cut with a little water). Before it was dry but had had a chance to set up a bit, I used different tools create various textures on the bones. Once dry, I sanded some areas smooth and then completed the paint.

These three photos are from Fairport High School's recent production of Guys and Dolls. Picture #1 - Roxy Theatre, Picture #2 - Save-a-Soul Mission, Picture #3 - Nathan Detroit's News Stand.

There are a mix of Off-Broadway paints used here.

For a production of "The Exonerated" at L.A. Pierce College, the designer specified a plank wood floor. With our students, we created the look with paint.

Production of "Urinetown'
Designer - Fred Christoffel
LD - Jacob Schenk
TD - Jared Canada
Scenic Charge - Vicki Ayers

Rosco SuperSat paints were used along with contact cement to create the dirty grimy effect on the sewer pipes. They were also used (in very thinned out quantities) to make the backdrop translucent.

The March 2012 Colby College Theater & Dance Department production of "Tartuffe" was painted almost exclusively with Off Broadway paints; including some metallic and acrylic gloss finishes. Scene painting was done by Designer/Scenic Artist Kim Powers; working with students from five different classes. Many different processes were employed, but for the flats, a multi-color spray was applied on to a smooth base, followed by cartooning, lining (paint, not marker), highlights and shadows.

For The Classic Theatre of San Antonio's production of John Guare's Six Degrees of Separation, the Director/Scenic Designer, Diane Malone, chose to represent many of the locations in the play as "art" in frames. The frames were mounted in floor to grid standards. The look desired was sleek and modern. Aluminium tubing would be ideal, but costly. She chose 2x2x1/16 steel tubing. To achieve the aluminium finish, she selected Rosco Off-Broadway 5385 Silver. The look was perfect. Photography by Dwayne Green.

This project was for a Costume Crafts Project. Our assignment was to make Armour. I chose to replicate two shields from the movie How To Train Your Dragon. I made these using very little information from the movies because there was not alot to go on, the images from the production are the best of shields that I could find after searching through the internet for hours. I used one inch B/C ply for the base of the shields. I made a stencil and pounced the design onto the shield and then used Rosco Super Sat and Broadway paint to produce the colors on the shields.

I designed & built this set for "Persephone" at Landmark College in 2009, it is painted with Rosco scenic paint and glazed with Rosco clear.

Painting fot Theatre class using Rosco Off-Broadway colors.