The back wall was a multi step scumble with a top dry rag coat of Supersat over a neutral base. The floor was a drop and spatter with outlines of canvases done in quick passes.

This was a jungle themed school dance that we used gobos to create a tree line across the stage.

A production of A Funny Thing Happened on the Way to the Forum put on at Foothill Community College.

The following Steps were used to create this piece of "art". First had to build a 4' x 4' frame, then cover with muslin and seize. After seizing had dried I quartered the piece with a filigree designed that I transferred using coal dust and a perforated pattern of said pattern. Then using the Rosco Supersat. paints listed I painted and textured each quarter with contrasting colors. I used wet blending, scumbling, sponging and spray painting with contrasting colors to give the quarters different textures.

The drop was created through large strokes on white and blue blending together to create this vortex or motion. sprayers were used to blend the drop into the platforms and the stairs. The Stairs focused more on blue and brown bringing contrast and texture to the set.

The walls of the set were scumbled and distressed. The fireplace was carved out of foam and then painted.

Set for King Lear at The Arkansas Shakespeare Theatre. Designed by Regina Garcia.

Scumble with mixed rosco blues and flat white
Over spray of sky blue + white and feathered out
Heavy pthalo blue/ultra marine spray around doorway and edges of back wall, then feathered out
Van Dyke, Sienna, B. Umber mixed color scumble on stones/steps
Spatter of navy/van dyke mixed color on steps

Reproduction of Rosie the Riveter as a seating riser barrier for a production of "Anton in Show Business"

Midtown Arts Center. Fort Collins, CO
Scene Design by Marc Haniuk
Light Design by Phillip Richard
Costume Design by Jessica Pribble
Directed by Kurt Terrio

As the scenic artist for Shrek my favorite project was the castle walls. A base purple color mixed with Off Broadway Magenta and Sky Blue and a shadow of Ultramarine Blue. Yellow and Orange complimented the walls and the white base coat acted as the highlight when I sponged off the washes with a natural sea sponge. The same technique was featured on the rest of the stone in the show as well.

We first tried to find the easiest way to make these patterns on the ottomans and trunks, and decided that using pure wood and wood staining them to the according colors would help us create the effect we wanted the most. We began graphing the images on to the ottomans and trunks, and begin wood staining them slowly but surely, in order to ensure the finished product looked smooth and well done. It took a total of about 3 weeks to paint all of the ottomans and trunks, with about 3 people working on them daily.